Moving on....

IMG_1518Okay, moving on from that last post...



I unloaded the kiln this morning to mixed results but not so bad.  I am happy with the direction that the decoration is taking and with some of my color choices.  I did have 3 or 4 pots blemished by glaze crawling.  I'll try and refire them later.  My next firing is scheduled for early next week and I'm going to use the clay, slip and glaze that we used at Penland this summer.  If I see that those materials consistantly work with no problems then I'm going to base most of what I do on that combination for the next little bit.

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Whew...

IMG_1512It doesn't make sense to mix glazes, unload a bisque, wax, apply base glaze and decorative glaze, and reload a kiln all in the same day.  I'm sure most of us have done it though, or something as tiring and demanding.  Potter's are hard workers that's for sure.

So no making for me today.  Here's a shot of another of the spouted jugs.  Sarah says the deco. on this one is a bit suggestive.

Suggestive of what? I ask.  Heck, I've got people mistaking my possums for rats, my squirrels for beavers, and saying my owls look like a resturant's mascot.  It doesn't matter what I draw, someone is going to think it's something else anyhow!!  Ha, ha!  Good stuff.  So anyways it's all in the eye of the beholder.

Drawing

IMG_1483_sm Started drawing on the new jugs yesterday.  I finished this one but the other two were still too damp.  Should knock them out today and get on with making for the next order.

I've got several shows sneaking up on me this fall so I need to get busy.  I'm still planning on doing a low fire salt firing soon.

Guess I better get out there.  Check in later for an update.

Dylan Bowen

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IMG_1418I bought this great little bottle from Dylan Bowen at Art and Clay this year.  I have been wanting a pot of Dylan's for a while now and I'm so happy to have scored this guy. I love the fact that it's really two pots in one.  Dylan's pots have a great energy about them.  I was also glad I had a chance to chat with him a bit in his booth.  I hope I can get over to visit him some time or see him in a workshop situation.


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Anniversary Plate

Wedding PlateHannah McAndrew made this wonderful plate for Sarah and I and presented it to us in England.  I had asked her a while back if she'd make us a wedding anniversary dish.  She said she would but I never followed up.  I got Sarah a pretty lame gift for our anniversary in January.  It was our 9th year, which happens to be pottery (I didn't know that) and Sarah got me a totally cool Ayumi Horie mug.

The back of the plate reads:

May you always have love to share, health to spare, and friends that care.  With love from Hannah and Paul. 2009

Thanks again Hannah we love it.

And I owe you big time!

Back to Making

A good day today.  After lunch (after it had gotten good and hot in the studio) I got in the shop and made this group of pots.  They are for an upcoming show.  I just knocked out the whole group and I figure I'll get them footed, handled, slipped and whatnot over the weekend and fired next week.  A good feeling, getting my hands back in the clay.

IMG_1410I've been admiring medieval jugs from Italy.  This one below is especially nice.  I like that added spout.  It's more or less an upside down teapot spout.

mi05020e11a_smAnd so I had a go at one today.  Couldn't get that strappy handle thing to work so I went with one of my own.  I'll get this guy all deco'd out.


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It's been ages since I made any jugs so I am aiming to make some more like this as well as some oval ones with added spouts.  I sort of feel like I may as well make a jug that is special you know, not just a run of the mill, dime a dozen sort.


It will be fun to see how this fellow pours...or doesn't.

Photos

ModernI've uploaded a couple new Sets of photos from our trip.  These are the last of them for now.  I do have quite a few individual photos that I'll be posting here on the blog over the coming days.  So if you want to have a look at the Flickr site CLICK HERE.

A Big Thank You

hostsThanks to our dear friends Rod and Fredia for being our primary hosts during our trip to England.  They were so very generous by inviting us into their home and allowing us to use it as a hub during our travels.

I've know Fredia for years.  She and Rod are both Americans and have been living in England for 10 years thanks to Rod's job.   Fredia has been encouraging us to come for a long time.  It's a good thing she didn't give up on us because we finally made it.

Rod and Fredia are both pottery lovers too and were enthusiatic about going to Art in Clay.  Rod may even come out to my shop next time he's in the States and have a go at making some pots.

Thanks Rod and Fredia for your kindness and hospitality and for getting us back and forth to the train station and airport.

Cone 1 Salt

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I've been obsessing a bit today.  It's a troublesome problem and eats up time and energy.  Any how, I'm shooting to do a low fire salt firing pretty soon.  So I get in my head all the possibilities and then run amok for hours.  Rummaging through glaze notes, books, going down and looking at the kiln.  Surfing the Internet.  Crazy me, a monkey on the loose.

So at this point I think it's a good idea to try for cone 1.  Why?  Well it just seems right.  Possiblity because I can come up with an interior glaze that will have a bit more range than say a cone 03 or 04 glaze.  Well I've got three cone 1 recipes.  Hum. Enough to give it a go right? Right.

Slips for low fire salt. ? I've got a couple ideas.  Paul Soldner has one out there that may be good.  And some T-6 kaolin would be good too probably.

Oh, and I want to have an amber glaze and a copper green to decorate with on the outside over the slip.  I'll try oxides in the base glazes I have.  Except no copper in the one w. Frit 3124 cause that will go turquoise won't it? I think so.

See there's so much going on here in my pottery brain.

I am wanting a bit of  a sheen on the slip.  Soda ash wash maybe.

I'll be doing some incising you know.

Exciting. Unpredictable. Frustrating. Disappointing. Rewarding.  All words to describe salt firing.

The plan is to put salt cups throughout the kiln and in front of the burners.  It will be a light salt glaze.  Hopefully get some action from the copper that's gonna be in that one glaze.

Okay well I should stop right?  I should make some pots and just go for it.  There's only so much you can think about.  Action.  That's next.

Great Hosts

Doug and HilA big thanks to Hil and Doug, Luke and Joe for having us in their home for several days.  We had so much fun getting to know everyone and being part of the family.  They made us lots of tea and kept us fed.  Doug has pots everywhere and even got a few boxes of Winchcombe pots out of the attic and garage to show us.   Sorry about that Hil, I hope he's packed them away again.   :- )

Family

We went down to the pub a couple nights and Hils gave us some lessons in the finer points of playing skittles.  That was really fun I wish a bar around here would install a lane or two.

skittlesIt was a terrific time and hopefully we'll have the pleasure of hosting them here sometime in the future.

Visiting Paul and Marion

Marion and Paul


Sarah and I had a really nice time when we visited with Paul Jessop and his partner Marion at their home in Ilminster.  They both had been out earlier in our trip to meet us at Art in Clay but it was great to have some time hanging out with them.


Jessop ShowroomPaul took us out to Barrington Court where his workshop and showroom are located.  It was a great place.  I think Paul is doing well there and it's excellent place to have customers coming in to buy pots.  He is looking to expand into a bigger space soon and even teach some classes.


Paul is a great businessman.  I was impressed with all the data he has kept up since becoming a full time potter.  He could teach most of us a lesson there.  He's got charts and graphs of income, expenses, budgets, etc.  Nicely done Paul.


Thanks to them both for their hospitality.


Salt. What's Next

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Sarah bought this mug of Lisa Hammond's at Art in Clay.  We should have bought a few more of her pots.  This picture doesn't do it justice but it's just the thing I wanted in my salt glazed work.  (Lisa actually soda fires). Anyhow her pots are amazing and I took no pictures of them while there.  I guess I was too wrapped up in looking at them and handling them all.  What I love about her pots is the wet, juicy nature of the slips.  The colors are amazing, no two alike.  They are timeless pots. Lisa makes great forms.

I feel a bit unsettled by my feelings towards all the salt glazed work I saw in England.  What I mean is that I miss doing that work.  Maybe I will do it again someday.  I'm not sure right now, I'm just being with the feelings and seeing what happens.

Doug's stand


With that said, I did see some amazing slipware.  Doug's, of course, is my favorite.  His work really reflects who he is and the materials he uses.  I understand Doug's work more now that I have seen where he lives and I have experienced first hand the walks he takes around the workshop and how the environment and plant life comes into his pots.



The glaze on English slipware is often lead bisilicate or sesquisilicate.  A few still use galena on the exteriors of pots.  I don't think you can match these glazes.  They have a depth and watery-ness that can't be gotten with frits or Gerstley borate.  Of course over here in the States there's no way a potter could use these glazes and customers wouldn't buy the pots I don't think.

I really have no desire to go back to high fire at the moment though and before we left for England I had been making plans for a low fire salt firing.  This would be done in my small gas kiln.  I think I've talked Jen Mecca into joining me on the trial run.  Today I got my mind back into that idea and I feel like I'll make up a few pots soon and see what I can do.  Of course these won't be heavily salted pots, but the variation I may get seems promising.


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This little cup was made by a French slipware potter who's name I didn't get.  I love the casual nature of this cup.  It has nice pressed finger marks around the base and I like the colors of the dots and how they've been applied by dipping the finger in the glaze.  It's a pretty shiny pot in real life.

It's hard to not come away a bit shaken and full of ideas after a trip like this.  I'm sure I'll be sorting it all out over the few months.  This trip, along with my time at Penland has made this quite a year for me.  I look forward to the pots that will come out of the kiln and where I'll be going.



Full English Breakfast

Full_breakfast_MarionWe were treated to a full English breakfast twice while on our trip.  The first was at Hil and Doug's and regrettably I failed to get a picture.  I didn't miss the chance though at Marion and Paul's.

Wow, that's a plate of food isn't it!!?  English bacon is more ham-like.  In the states we have streaky bacon, fried up crisp usually.  To have bacon AND sausage along with eggs, beans, tomatoes, mushrooms and toast...whew, I could barely move after all that.  It sure was tasty though.  No one served us black pudding.  That's probably for the best.

The Leach Pottery

FireplaceHere I am at the Leach Pottery having a bit of fun by the old fireplace.

It was really moving to be in the Leach Pottery.  I took some time to walk around and be there by myself while the others went on through.  I reflected on all the pots that had been made there and how those who had worked there had impacted the pottery world and how some of them had personally impacted me in such strong ways.

I mainly thought about Warren Mackenzie being there.  He's my connection to that place.  Or as much as I can have a connection.  I stood in the throwing room and thought about Warren and Alix being there;  what they learned and what they brought back to America.  I also thought, "Wow, Hamada probably stood here" too.  Ha.

I've continued to add new sets on my Flickr site.  Click HERE to go there.

Andrew

Andy_RonHere we are, Andrew and me.  We had our first blog contact on July 6, 2006 and the chain of my blogging with UK potters began.  It was wonderful to finally meet Andrew in person.  He is a great fellow with a good wit about him.


We went into the St. Ives Gallery owned by John Bedding and looked at works by Hamada, Clive Bowen, Nic Collins, Ruthanne Tudball and Phil Rogers just to name a few.  It was great to have that time with him looking at all the great pots.


I feel like I only know a little part of Andrew, he's pretty complex.  But the part of him I know is a sweet, honest, unassuming fellow who is a true lover of pots and clay and he's willing to take chances and risks as he moves forward with his work.  His last firing has been his finest to date I think.


Hopefully we'll have many years as friends to learn more of one another and share our pottery adventures.


Cheers Andy!

Note

If you're looking at my pictures on the Flickr site you'll notice the 'sets' over in the right side bar.  I am arranging things there by subject or day or whatever.  I said before it's good to view those sets with the 'slide show' option,  however if you do that you may not get to see the info. I've provided for some photos.  To see the information you can toggle on the "Show Info" once inside the slide show (upper right).  Or you can view them individually without the slide show option.

Just wanted to put that out there to make things easier...or not.  Ha